Table of contents, iii Preface, p. ix Introduction, p. xv Chapter 1: Objectivesound, p. 1 Chapter 2: Psychoacoustics, p. 29 Chapter 3: Audio fundamentals, p. 49 Chapter 4: Microphones and techniques for their use, p. 67 Chapter 5: Production sound mixing, p. 95 Chpater 6: Recording, p. 103 Chapter 7: Synchronization, p. 135 Chapter 8: Transfers, p. 149 Chapter 9: Editing, p. 155 Chapter 10: Mixing, p. 181 Chapter 11: From print masters to exhibition, p. 199.
